Sometimes, he wandered.
Sometimes, when he had been working hard on this or that, one plot or another, setting up dominos to push them down in a rampant surge of calamity—sometimes, when he had been working his mind as well as his magic, Tsetse found that he needed a break.
Some days, this took the form of destruction. Rampaging through forests, tearing leaves from their branches, using the magic of the mind to drop birds from the sky with a thought (Stop.)—
—some days, this took the form of wandering. Withdrawing from the real world, from body to mind; dipping the thread of conscious thought into the oily rivers of his subconscious and letting them float away. Listening to the whispers. To the visions. To the things that flickered at the edges of his sight and sometimes, when they were bold, dared to walk in front of him.
Sometimes, he untethered his mind, and let it go.
Sometimes, he wandered.
Usually, he did not see Gembound. Or if he did, he ignored them; let them pass, drifted away from them, let his mind's wandering continue. He… he does not pass up the chance to interact with the little gem-beasts, most days. It is fun, to speak to them. To try and pry them apart through their words, to read their expressions with unblinking eyes, to hum with satisfaction when one of them stuttered, shaken by something he'd said… but these wanderings are meant to rest his mind.
He can hardly rest his mind if he is turning the gears of manipulation, now, is he?
But—
—there is a little upright kitty-cat, walking in the air above the generator humming in Polaris' river, and the sight alone is enough for him to stop and stare, jarred out of the whispering trance he's put himself into by the silent pad of a two-legged cat over the machinery. Her attention seems wholly focused on the machine; he is free to stop and stare, at least for now.
She strikes familiar. Her shape is… unusual, for the caves. There are two-legged beasties which roam and dance and cast around these parts, of course there are, but none who seem to take such animal shape. It's like someone has taken a cat and stretched it upright and told it to stay that way on pain of death and the cat obeyed.
Hm. Where does he know her from? Such an unusual shape..
It takes him a few moments of watching to remember. Her. In the cave of ice, where his breaths came hotter than usual and his rattling tail dragged in the snow-melt his body heat left surrounding him, a trail of watery carnage. The cat who had hunted with him, for the feast. Was that so long ago? The cycles have passed him so quickly.
( Hmph. He's been trotting in circles; all plotting, no action. What would his Master say of him? Farina would be disappointed in his inaction, no doubt.
He should work to rectify it, soon. )
Little kitty-cat, what do you think? He cannot read her face from here, so far up, but perhaps…
A lash; rising—a dark tendril of hidden-chaos that he can almost—no, he can see (rippling, twisting the air; dripping oil-dark and the drops rain down and the stone twists too pretty-dark-oilstone-iridescent, he would turn all the caves dark and dripping and shatter the stone if he could, yes-yes-yes), if only in dreamstate hallucination. And there is the cat, up there, and he reaches out to grasp the gentle glass thoughts that she is no doubt thinking, the turning hum of a generator in her brain.
The magic—connects. Grasps. Hooks its anchors into her brain and opens her up splitting the matter headfirst dripping oily things (he has seen the brains of lessers before in study he knows what they look like and now he knows her he knows he knows he knows—)
There is a turmoil, rolling, deep inside her. The cloudy white-waters of a stormy lake, twisting and spiraling, dragging the poor kitty's psyche down to its center. And in that center; oh, in its center, what is there to see? There is lightning running through the water, bright and full of power, but it is not the kind of power that makes Tsetse's bones sing. No, instead—instead.
The-dread-that-is-not-his drips down like oil into his chest; the magic keeps it at a distance, so he is sitting as an observer behind a glass wall, but he still feels a phantom shiver run down his spine at the delightful thrill of despair that seeps into him. Sweet ambrosia of the darkest kind.
Too much energy. Too much loss. So much loss. She has lost so much, the poor thing. Hurt so many people. It hangs from her like tattered remains of the disguise that concealed her their first meeting; her magic, too, destroys.
Chaos is not the only thing that breaks. Perhaps that was why he was so drawn to her power, when they first met; that moment she split the skies with a thunderclap and he knew she'd sooner split his skull than he split hers if he would want to use her as an experiment.
Her mind, running, running, running, turning against itself with no way out. And here she tries to flee from it, flee from her regrets; flee from her own self-hatred, and here is where the two of them differ, for where Tsetse relishes in the act of destruction and hurting and being feared she… regrets it.
It is an unfamiliar thing, regret. Foreign. Destruction is in his nature, burns in his blood; to regret destruction would be to regret his own act of existence. He'd sooner snuff himself out than regret hurting anything, anyone. Yet—her own act of so much destruction torments her so.
She wants to create. She wants to break free.
She cannot.
And so she distracts herself with the humming buzz of a generator, learning to fill the deep pit of despair in her gut; yet Tsetse knows it is only a mere distraction, and once she is done the dread will come rushing back in, those bleak thoughts, and swallow her in its grasp once more.
Poor thing. Poor, poor little kitty.
And—finding the spell still holding, strong in its grasp against the cat's mind (for now, at least; and perhaps that is because they are not so dissimilar after all?), he whispers into her head.
Dear little one. Why do you regret your actions so?
They, the two of them, like shattered pieces of a mirror; broken from the same glass which cuts, but jagged in different ways.
He pushes the raw edges of their pieces together and wonders why she is filled with so much remorse.