Imp was doing his absolute best to create a masterpiece. He was perched just outside the palace, on a little hill of grass, an easel laid in front of him and a complete mess scattered around him. It wasn't that he wouldn't clean it up; Isra'd have his head if he didn't, and anyway, he just wasn't like that. Usually.
The mess included paint-stained white cloth, two buckets filled with water, haphazard piles of paintbrushes and at least two dozen paint dyes in little pots. Three artists' palettes--already dabbed with various ranges of colors--were present: two in the grass, one clutched in Imp's rainbow-spattered forelimbs.
For once, his work didn't include a load of weird genitalia. He'd sort of gotten over that--mostly; an artist had to move on, after all. Not that he didn't sometimes revisit his origins, of course. (There was a new painting in his "studio" with a made-up Gembound sporting a very not-safe-for-work hat.) But right now he was struggling to capture the essence of the Palace, with a twist. While its columns and alabaster facades were just as elegant as the real thing, he'd tried to give it a formidable, almost ominous, appearance. White stone plunged into darkness at the edges, the sheer walls and razor's edge lines severe.
That being said, it was clear that he was having serious trouble. Regular lighting and color was hard for a new artist to capture; Voidlight was another beast entirely, and though he was struggling to simply paint what he saw, he found that his mind kept interpreting the colors as though the light were white. The result included yellows where they shouldn't be, purples that got way too dark, and pinks and blues that looked more pastel and cheerful than Void-like.
@Calazeth