Apr 29 2017, 07:22 PM
The creature was idling with the fish as it gave a moment for its observers to settle in, its head turned to watch over its shoulder. It was surprised to see the gryphon Gembound trying to use the Bauble spell to recreate images like its own. While its own magic was created with the idea of how the Light magic worked, its parent developed the magic after many centuries and its own self did not know all the bells and whistles behind the true development.
The caped wolf had been asking about what it had said about its imbued items, but as its attention slowly returned to her, it just barely caught a shimmering of the earth. Even so, she seemed very taken by the conjured copy of herself. Later, it decided, it would explain its job. The familiar spell was developed because its parent grew lonely living alone. Hidden behind its mask grew a frown as it remembered this story. The conjured familiars acted on their own, so they were some form of companion life. As the she-wolf sniffed her miniature self, it reached up to boop her nose. The painter couldn't help but raise a hand to its mask as silent laughter shook its body lightly.
Deep black eyes shifted slightly to the feline, who seemed to be genuinely interested in the story. Behind the painter also was a wolf whose eyes were transfixed on its painting. It shuffled to turn and view the wolf better, wanting to make sure it had taken in all of its observers, especially those with eyes on its story.
"These swords," it began, turning back to the painting and shooing the fish from its playing fingertips, "were entrusted to me because they are dangerous." It had ample time to analyze the language now. Indeed, the language had not evolved much. It was very easy to pick up. On the surface of the wall, its glowing fingers began to paint two swords in the river an equal distance from each other. At first, they seemed like any other metallic sword. The current continued around them. The fish were downstream. The leaves dissipated before the swords and reappeared downstream.
"As I said, one is the sword of life," the painter continued, emphasizing one of the swords with its fingers. It painted the sword with more detail, and it grew into a katana. Leaves flowed continuously down the river around the sword now, minding not the sharp edge of the blade. They passed by unharmed. Fish populated the area around the sword, and some even swam up to it curiously, unafraid. A few of them kissed the blade, and like the leaves, were unharmed.
The painter began to detail the other sword, and it too grew into a katana. "The other is the sword of death," it said sadly as leaves began to flow down its side of the river now, passing by the blade but being sliced by it. Fish populated this side of the river now too, but seemingly tried to swim away. They were cut up, and blood stained the water of the painting.
It drew back from the painting, watching the scene play. It said nothing for a moment.
"Masamune," announced the painter, gesturing to the first sword, "is the sword that gives life. It is wielded with the idea that one kills to preserve life. A just cause." Its body shifted to the other sword, its ears turning back. "Murasame is the sword that takes life. It is wielded with bloodlust," it explained, turning to view the Gembounds with a raised finger. "However, the lesson is, they are both fine blades. This story represents the age old tale of, "The River Test." Murasame's creator was an apprentice of the bladesmith who created Masamune, but could never understand the idea of fighting to preserve life. The bladesmith who created Masamune was the best who ever lived, so it saddened him when his apprentice fell victim to this bloodlust. Murasame's creator challenged him to this test, to see which sword was better," the painter told the story with hand gestures, but eventually turned back to the painting.
"When Masamune did not cut anything, Murasame's creator laughed and said that the sword was bad. "A sword that can't cut anything?" he cawed, but Masamune's creator only sighed. Truly, his apprentice did not learn anything," it said, moving its fingers along the far riverbank as it painted the two bladesmiths. One old, Masamune's creator, watching his sword with quiet pride. The other young, Murasame's creator, watching his sword with a crazed eye.
Then, it painted a traveling monk approaching them. The monk called out to them, "Indeed, they are both fine swords; but Murasame will kill anything it sees while Masamune does not take innocent life." The monk continues on his path, the painter lifting its finger off of the painting, watching the final image of the scene: Masamune's creator watching their blades in the river, with Murasame's creator watching angrily after the monk.
Turning to the observers again, the painter reached up to run its hands through its fur. "Murasame is a cursed blade. The air around it is cold. It is truly an evil weapon," it noted. "Masamune is picky with who it serves. Only those with honorable morals can wield that blade, its eyes drifted back to the painting for a moment. "But Murasame chooses a host, if they survive it."
Quietly, almost as if to itself despite its voice being a projection, it said sadly, "One would hope that friends do not come to possess these two blades." Its hands dug into its fur nervously.
The caped wolf had been asking about what it had said about its imbued items, but as its attention slowly returned to her, it just barely caught a shimmering of the earth. Even so, she seemed very taken by the conjured copy of herself. Later, it decided, it would explain its job. The familiar spell was developed because its parent grew lonely living alone. Hidden behind its mask grew a frown as it remembered this story. The conjured familiars acted on their own, so they were some form of companion life. As the she-wolf sniffed her miniature self, it reached up to boop her nose. The painter couldn't help but raise a hand to its mask as silent laughter shook its body lightly.
Deep black eyes shifted slightly to the feline, who seemed to be genuinely interested in the story. Behind the painter also was a wolf whose eyes were transfixed on its painting. It shuffled to turn and view the wolf better, wanting to make sure it had taken in all of its observers, especially those with eyes on its story.
"These swords," it began, turning back to the painting and shooing the fish from its playing fingertips, "were entrusted to me because they are dangerous." It had ample time to analyze the language now. Indeed, the language had not evolved much. It was very easy to pick up. On the surface of the wall, its glowing fingers began to paint two swords in the river an equal distance from each other. At first, they seemed like any other metallic sword. The current continued around them. The fish were downstream. The leaves dissipated before the swords and reappeared downstream.
"As I said, one is the sword of life," the painter continued, emphasizing one of the swords with its fingers. It painted the sword with more detail, and it grew into a katana. Leaves flowed continuously down the river around the sword now, minding not the sharp edge of the blade. They passed by unharmed. Fish populated the area around the sword, and some even swam up to it curiously, unafraid. A few of them kissed the blade, and like the leaves, were unharmed.
The painter began to detail the other sword, and it too grew into a katana. "The other is the sword of death," it said sadly as leaves began to flow down its side of the river now, passing by the blade but being sliced by it. Fish populated this side of the river now too, but seemingly tried to swim away. They were cut up, and blood stained the water of the painting.
It drew back from the painting, watching the scene play. It said nothing for a moment.
"Masamune," announced the painter, gesturing to the first sword, "is the sword that gives life. It is wielded with the idea that one kills to preserve life. A just cause." Its body shifted to the other sword, its ears turning back. "Murasame is the sword that takes life. It is wielded with bloodlust," it explained, turning to view the Gembounds with a raised finger. "However, the lesson is, they are both fine blades. This story represents the age old tale of, "The River Test." Murasame's creator was an apprentice of the bladesmith who created Masamune, but could never understand the idea of fighting to preserve life. The bladesmith who created Masamune was the best who ever lived, so it saddened him when his apprentice fell victim to this bloodlust. Murasame's creator challenged him to this test, to see which sword was better," the painter told the story with hand gestures, but eventually turned back to the painting.
"When Masamune did not cut anything, Murasame's creator laughed and said that the sword was bad. "A sword that can't cut anything?" he cawed, but Masamune's creator only sighed. Truly, his apprentice did not learn anything," it said, moving its fingers along the far riverbank as it painted the two bladesmiths. One old, Masamune's creator, watching his sword with quiet pride. The other young, Murasame's creator, watching his sword with a crazed eye.
Then, it painted a traveling monk approaching them. The monk called out to them, "Indeed, they are both fine swords; but Murasame will kill anything it sees while Masamune does not take innocent life." The monk continues on his path, the painter lifting its finger off of the painting, watching the final image of the scene: Masamune's creator watching their blades in the river, with Murasame's creator watching angrily after the monk.
Turning to the observers again, the painter reached up to run its hands through its fur. "Murasame is a cursed blade. The air around it is cold. It is truly an evil weapon," it noted. "Masamune is picky with who it serves. Only those with honorable morals can wield that blade, its eyes drifted back to the painting for a moment. "But Murasame chooses a host, if they survive it."
Quietly, almost as if to itself despite its voice being a projection, it said sadly, "One would hope that friends do not come to possess these two blades." Its hands dug into its fur nervously.
